"Aesthetigenders, also known as aesthetgenders, aesthetegenders, or videgenders, are a series of non-binary xenogenders that are either derived from, are the embodiment of, are similar to, related to, or share the qualities with an aesthetic or a sensory experience. Aesthetigenders can be based on symbols, ideas, or things. And are typically described using things like texture, size, shape, light, sound, or other sensory characteristics."

lgbta.wikia.org/wiki/Aesthetig

I'm still here.
waiting for my time to come
waiting for time for me to come
waiting
waiting
in the shadow
to talk about the shadow
to put light to shadow
for shadow to resist the light
and show its lovely dark face.
in the east
in the steppe
with leopold
with contract
to multigenders
to polysexuals
to failures and pain
reaching up
exploding 1mploding.

so0n ma love,
soon.

/w00tw00t.at.ISC.SANS.DFind:): 1 Time(s)
X\xD4>\x12\x98\xC4<\xE0\x13\xCF\x00\xAC\xA ... 5Cs\x9C\xBD\xCB: 1 Time(s)

"I figured some of you might be wondering why I suddenly decided to start producing this kind of content (whether you prefer to call it erotic art or just whoring out). The answer is simple, I like it. I love eroticism and nudity. I've learned to appreciate my body and I enjoy sexualizing it on my own terms. I'm exploring my sexuality and identity. If you think I'm just a regular e-thot desperately trying to intelectualize being an e-thot, it's okay. I enjoy being an e-thot, too. I've always wanted to show off my sexual side and I don't see the reason why I shouldn't use it or profit from it. I'm happy to be in control of my own body, especially since it has not always been the case."

-- ras.alhagve patreon.com/rasalhagve

NO TOUCH
NO LIFE
NO ACTION
NO REVOLUTION
NO COMMUNITY
NO LOVE
NO TOUCH
NO LIFE
NO SENSE
NO WARMTH
NO HUMAN
NO THOUGHT
NO TOUCH
NO LIFE

"... critical interpretations depend on the precise context of a glitch's generation/use. This 'break' results from a violation of established (anticipated) structures within the work—an unanticipated variance from the audience's expectations: the necessary factor in this process is an actively engaged audience that is challenging the work as it proceeds and whose violated expectations produce the glitch. There is no formalist mode that can present an inherently critical meaning—the emergence of a specifically critical meaning depends on active choices made by the audience encountering the work, not the formal design of that work."

--Michael Betancourt, Critical Glitches and Glitch Art (HZ Journal)
hz-journal.org/n19/betancourt.

my sexual orientation is "Literally every person looks good in eyeliner, red lipstick, and gold glitter"

Transport Layer Security EP is out now!

"At the core of these tracks stands an inspiration of exploring machinic polyrythms and how they can be used to blur the distinction of what is really inorganic, or not. Below, however, this distinction of natural organism is a false promise, a blind alley, a dead end. We ... are all part of the same machinic phylum."

:patreon:
patreon.com/posts/39704025

:bandcamp:
music.lukaprincic.si/album/tra

🔷
lukaprincic.si/work/transport-

:cc_cc: :cc_by: :cc_sa:

#renoise

searching for a home when there seems to be no land to call

starting now because its were im at

rooting into soil that will yield peace

keeping going towards that destination, giving intelligent responses while maneuvering

finding solitude in the arrival through the means

@setthemfree

thank you for your kind words.

the audio tag was corrected. yes, best if controls are visible.

there's more audio and vizualz comin soon.

d̿̏̒ȍ̼͂l̜̄̏ȁ͉̻z̛̏ͥy̶̏͞ m̥̖̏ȕ̷̻z̟̏ͅy̪̏̏k̢̓̏ą̏͒.̟̏ͅ

ṕ̏́ȍ̴̠g᷊̏͡l̎̏ͯỷ̏ͭč͇̏ͣȯ̏᷾v̲̏̈́ȁ̴͑nͦ̏͡ȁ̗᷈
t͂̏͌ȅ̵̍m̀̏ͤn̢᷀̏a̐̏͏

ȉ᷿̕z̡̏͡l͎̏̓ȁ͕͈z̧̠̏uͮ̏͂j̗̏ͤȕ̫᷉ ḅ̏ͬȍ͚͎l̟̏ͨe͊̏̚ć̔̏ͫe᷈̏̐ t̏̏᷄v̙̏̔ȁ̠᷇ȑ̲ͬy̏̏̿
(͍̪̏o̹̽̏v̶̏̍ ȅ̪̌x͙͎̏ṭ̏ͪȑ͓͠ȅ͔͌m͑̏́e᷾̏ͥ p͍̏᷉a͋̏̈ȉ̭̇n᷀̏̎,ͦ̏͘ d͖̏̔oͣ̏ͪu̍̏̀l͉̏᷁o͖͆̏ȕ̶͓ȑ͔͑)͚͍̏

k͙̏̒ȁ̟͐p̊̏ͧi̇̏᷃t̥͎̏a̗ͤ̏l̾̏ͅ e̘̍̏t̴̏̑ l̞̏ͧȁ̦᷃ d̏᷅͢ȍ̖̚ȕ̪̩l̓̏᷾ȍ̙̰ȕ̷͑ř̞̏
ḱ̏̄aͬ̏͡p̠̠̏ȉ̛̝t̪̏͏â̏̑l͚̏̐ ȅ̢͈t᷂̏̈ l̺̽̏ȁ̳ͩ d̛᷿̏ö́̏͐ȕͬ͞l̂̏͞ȏ̟̏ŭ̏̈́ȑ͢͝

a͎̓̏l͇ͫ̏ã̏͊ d̨̤̏o̓̏̂l͋̏͟ḁ̏̏z̟̮̏y̮͇̏ d̛᷊̏o̹᷀̏l᷊̬̏a̙ͤ̏z̢͔̏y͕᷁̏ ȍ̏ͯn̖̒̏ȁ̏͠,̏̚͢ m̜̏͒e͏᷿̏k̽̏᷇ȁ̬̰n͏͈̏â̏ͫ [͑̏ͪṣ̪̏ȍ̲̾f̄̏᷈t̗̏͒ s̰ͫ̏k̛᷊̏ȉ̦̙n͉᷉̏,̷̏͝ t̔̏ͤą᷉̏c᷃̏̃t̝̏ͨi͛̏ͩl͎̾̏ȅ̫͕ l͏̴̏iͨ̏͠k̩̉̏ȅ̹̮ å̏̀ n͙̂̏e̒̏̾ę̶̏ḏ̡̏l̯ͬ̏ę̏ͬ s̊̏͞l̖̪̏o̽̏͢w̏͞͝l̢̩̏y᷄̏ͮ s̙̞̏l̐̏̍ȍ̬͢w̠̏ͪl͐̏̆y̎̏̐]̪̏̏ s᷆̏ͦe͓᷄̏k̮̏ͨs̰̏̅ȍ̧͜l̔̏͞o͆̏̐g̻̏̎y̳̐̏a̧ͬ̏.̅̏́

č᷂̫̏ȅ̲͟k̓̏᷆ȁ᷂͡jͨ̏͢,̏̚͜ p̳̲̏o͓͆̏lͪ̏᷁a̍̏ͥk̛̞̏oͪ̏̕,̤̿̏
č̙̮̏ḛͥ̏k͌̏̌ā̯̏j̛̐̏ s̟̏̈́͢t̹̏͠ȁ̌͢l̙͛̏n̨͎̏o̠᷇̏,̟̣̏ ȉ̭̔ d̾̏᷅o᷅̏͢ć᷿̉̏y̏᷾͜ ć̯͍̏ȅ̤̜/͕̜̏/̍̏̑/̬̏̑

theory, longish, on life, animal, vegetable 

>>... Foucault argues that with the emergence of the human sciences at the birth of biopower, the animal is not excluded or forgotten but quite the opposite: animality is the dominant apparatus for investigating both what life is and what life does. Th e living is no longer primarily vegetable (sessile and awaiting mere categorization) but understood as evolving, appetite-driven, secret, discontinuous, mendacious, inscrutable, always on the prowl, looking for an opening to break free. As Foucault puts it, “Transferring its most secret essence from the vegetable to the animal kingdom, life has lef t the tabulated space of order and become wild once more” (OT 277). And this is of course not just a development within the narrow conf i nes of biology. Foucault could in fact cue here the advent of philosophical modernity itself. One might speculate that Hegel’s 1807 Phenomenology of Spirit (where human life itself is refash-ioned as nothing other than unfathomable discontinuity and animal appetite— in short, desire) shows the way for later nineteenth-century thought, which in turn opens a path directly to our day: from Darwin’s evolution of life, through Freud’s life of the unconscious, and Nietzsche’s life of self-overcoming, all the way to Schumpeter’s neoliberal life of creative destruction. All of these forma-tions depend completely on the bedrock connection of life to an animating, hidden, “wild” animality of desire: both prior to and beyond the human yet somehow still constituting that humanity as its secret essence.<<

[from Plant Theory: Biopower and Vegetable Life by Jeffrey Nealon]

Postmodern control is designated as turbulence simulation or programmed catastrophe- a runaway process of accident or emergency quantizing typified by implosive turbulence in the core of the world system and its overexposure. Sector 5 pushes the cartography towards an antifascist
fluid mechanics otherwise denoted as an ethics of speed or a tao of turbulence.

Turbulence : a cartography of postmodern violence - WRAP: Warwick Research Archive Portal
wrap.warwick.ac.uk/36343/

Contemplating Aesthetics Directions : halfway between coldwave (à la 6th circle) and glitch-electroacoustic braindance (à la qebrus) with a lot of south-east-european witchy polyphonie

Déplier
Imagimastodon

Le réseau social de l'avenir : Pas d'annonces, pas de surveillance institutionnelle, conception éthique et décentralisation ! Possédez vos données avec Mastodon !